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HW: Bow strokes like Détaché, Martelé, Spiccato, can be learned purely mechanically. This technical aspect is, of course, most important, but what I would like to show you here is the inner source that will make these strokes more meaningful, full of color, intensity and variety. Let's rethink the hand: because of its ingenious construction it is capable of a vast array of expressive gestures. All over the world, people "speak with their hands" to express all shades of meaning. Such hand gestures can be the basis of much more expressive bowing. Try these two fun exercises with me, expanded from Master Lesson 2 of my Joy of Cello Playing Books: ![]() |
![]() ![]() NOW make the repertoire connection: with the same energy as in the above exercise, play this Rubbing Détaché ![]() ![]() Next ![]() ![]() ![]() Apply the same energy you used in the above finger-pointing gesture to this repertoire exerpt from.the Brahms "Double" Concerto( measure 2l8): ![]() ![]() ![]() ![]() You will now be able to play this Martelé ![]() ("YOU AND YOU, YOU AND YOU!") HW: Class, I want you, when you return home, to think of other examples of hand gestures triggering and energizing your bow strokes. The Joy of Cello Playing, Master Lesson 2, contains many more scenarios that let you practice the connection between hand gestures and a much more expressive and colorful bow technique. ![]() ![]() ![]() |
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This site created and maintained by Harry Wimmer (hwimmer@wimmercello.com). Thanks to Shirley Givens (sg@givensviolinland.com) for her imaginative illustrations. Thanks to Kevin Wimmer (kwimmer@aol.com) for his selfless and expert assistance. |
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by Shirley Givens. All materials on this website are limited to personal, non-commercial use. |