Harry Wimmer
Cello Technique Topics from A to Z ....an evolving index
SECTION 3Pick Your Topics: Q through Z
  Saint-Saëns
Concerto No.1 in a
(TopTenQ&A#6)
shifting
principles
(TopTenQ&A#8)
tactile memory
(TopTenQ&A#8)
speed
(TopTenQ&A#8)
shIfts
"clean"
(TopTenQ&A#8)
sitting
well
(JoyBooksML1,see B,)
shoulder
(right)
raising
(Teaching Studio)
sound (see also Tone)
deep
(Teaching Studio) (JoyBooksML2,see A.Ex3)
(JoyBooksML4,see D.E.&F,)(JoyBooksML5,see Part II: A.2.)
pinched
(Teaching Studio)
pressed
(Teaching Studio)
thin, shallow
(Teaching Studio)
Sounding Point
of harmonics
(TopTenQ&A#2}
speed (left hand)
practice methods
(Musical Gym)
Spiccato
motion
(TopTenQ&A#9)
refining
(TopTenQ&A#9)
on a scale
(TopTenQ&A#9)
stretches(extensions)
without pain
(TopTenQ&A#5)
string levels
seven tracks
(JoyBooksML4,see C.)
thumb
(right)
opposable
(JoyBooksML2,see B.)
tone
(see also sound)
choked
(Teaching Studio)
production
(Teaching Studio) (JoyBooksML5,see Part II: A.B.&C.)
resonant
(Teaching Studio)
rich
(Teaching Studio)
strident
(Teaching Studio)
tonal imagination
(JoyBooksML5,see Part I: D.)
well-nourished
(JoyBooksML4,see J.)
your own (JoyBooksML5,see Part I: B.C.&D.)
Tone Factors (left hand)
three basic Tone Factors
(JoyBooksML5,see Part II: A.1.2.3)
Tone Factors (right hand)
Bow Speed
(JoyBooksML5,see Part II: A.3.)
Depth of Sound (not Pressure) (JoyBooksML5,see Part II: A.2.)
Sounding Point (contact point) (JoyBooksML5,see Part II: A.1.)
Bow Hair (Amount of)
(JoyBooksML5,see Part II: A.4.)
mixing the Tone Factors
(JoyBooksML5,see Part II: B.)
tone production
four basic factors
(JoyBooksML5,see Part II: A.1-4.)
Vibrato
continuity
(TopTenQ&A#4)
evenness
(TopTenQ&A#4)
motion
(TopTenQ&A#4)
relaxation
(TopTenQ&A#4)
speed
(TopTenQ&A#4)
wrist (right)
movements
(JoyBooksML2,see B.Ex14.)
 
     
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A through CD through P


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