|
agility (left hand)
practice
methods for (Musical Gym)
arm (right)
passive
(Teaching Studio)(JoyBooksML4,see
F.)
buoyant (Teaching Studio)(JoyBooksML4,see
E.)
Bach
Suite
No 1 in G(ms) (Six Bach Suites)
Suite No.2 in d (TopTenQ&A#1)
backaches(lower)
avoiding
(TopTenQ&A#3}
Beethoven
Quartet
Op.59 No.3 (Musical Gym)
bow
as moving
ship (Teaching Studio)
as extension of hand (JoyBooksML2,see C.)
balance (JoyBooksML3,see D.)(JoyBooksML6,see
C.)
"changing" bow (JoyBooksML6,see
H.&J.)
direction
(JoyBooksML4,see A.B.&C.)
flexibility
of stick (JoyBooksML3,see A.)
holding (JoyBooksML3,see B.thru
E.)
pressure
(Teaching Studio)
sinking
into string (Teaching Studio)(JoyBooksML4.see
E.)
straight
(Teaching Studio)
touch
(tactile) awareness (JoyBooksML3,see A.D.&E.)
visual
appeal (JoyBooksML3,see A.)
whole
(Teaching Studio) (JoyBooksML4,see
A.B.&C.)
bow arm
buoyant,
passive (JoyBooksML4,see E.& F.)
Bow Change (changing direction)
at
Frog (JoyBooksML6,see J.)
at Tip
(JoyBooksML6,see J.)
simplicity
of (JoyBooksML6,see J.)
bow hair
amount
used (as Tone Factor) (JoyBooksML5,see
Part II: A.4)
playing
"with flat hair" (JoyBooksML5,see Part
II: A.4)
playing
"on the side of the hair" (JoyBooksML5,see
Part II: A.4)
bow hold
balance
(JoyBooksML3,see D.)(JoyBooksML6,see
C.)
basic
bow hold (JoyBooksML3,see B.thru
E.)
gymnastics
(JoyBooksML3,see A.&D.)
bow movement
simplicity
of (JoyBooksML4,see A.)
drawing
straight bow (JoyBooksML4,see A.B.&C.)
bow strokes
Rubbing
Détaché (Creative Workshop) (JoyBooksML2,see A.)
Martelé
(Creative Workshop) (JoyBooksML2,see
A.)
Spiccato
(TopTenQ&A#9)
Brahms
"Double"Concerto
(Creative Workshop)
cello
"fitting"to
body (JoyBooksML1,see D.)
holding
(JoyBooksML1,see D.)
hugging (JoyBooksML1,see D.)
resonances
(JoyBooksML1,see C.)
touch
awareness (JoyBooksML1,see C.)
visual appeal (JoyBooksML1,see C.)
chords
ringing
(TopTenQ&A#1)
Collé
the
ultimate bow control device (JoyBooksML6,see G.)
mastering Collé (JoyBooksML6,see E.)
uses
and benefits (JoyBooksML6,see G.)
concentration
exercise (JoyBooksML1,see A.)
contact point
see
Sounding Point |
|